Some stars wear a color. Scarlett Johansson becomes it.
The Black Widow star stunned in monochromatic citrus glam at the New York City premiere of Wes Anderson’s latest film, The Phoenician Scheme. Held at Jazz at Lincoln Center, the event brought out A-list attendees—but all eyes were on Johansson, who coordinated her beauty look with her striking, blood-orange gown to unforgettable effect.
The strapless gown featured subtle ruching at the neckline and sophisticated draping that wrapped elegantly around her waist, cascading into a fluid silhouette on one side. It was equal parts goddess and modern minimalism—a masterclass in statement styling done with grace.
Johansson paired the dress with black square-toe sandals and delicate accessories: small gold hoops and a standout open-ended gold choker adorned with teardrop diamonds that rested gently on her collarbone. But it was her makeup that took the styling to the next level.

Her makeup artist opted for an orange smoky eye, echoing the gown’s vibrant hue and bringing cohesion—and boldness—to the look. The soft, sunset tones added a summer glow to her complexion, while tousled blonde waves brought effortless balance. The result? Citrus sophistication at its finest.
This moment wasn’t just another red carpet hit for Johansson—it was an example of beauty and fashion working in seamless harmony. Rarely do we see a celebrity commit to color coordination in such a fresh and elevated way.
Johansson’s red carpet appearance comes amid a flurry of cinematic momentum. In The Phoenician Scheme, she stars alongside Bill Murray, Tom Hanks, and Michael Cera in a quirky Wes Anderson comedy-drama that has all the elements of vintage noir-meets-modern satire. According to IMDb, the film revolves around a wealthy tycoon who makes his nun daughter the sole heir to his estate—only to find themselves hunted by scheming billionaires and international assassins. Only Wes Anderson could make this chaos charming.

The film first premiered at the Cannes Film Festival earlier this month, where Johansson also made headlines—not only for attending with husband Colin Jost, but for debuting her first directorial feature, Eleanor The Great. At Cannes, she opted for cool girl Prada chic in a light grey skirt suit—contrasting sharply with her fiery look in NYC.
But no matter the coast, season, or designer, one thing is clear: Scarlett Johansson knows exactly what works for her—and more importantly, how to work it.